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Le Quan, alternative name is Tuo Yuan, Thousands ofLotus Room.

He was born in Nanjing in 1950.

 

The director of the Chinese Literary Federation and the Chinese Literary Critics Association

The first batch of researchers of Chinese Art Research Institute

A member of the Chinese Calligraphers Association

A member of the Chinese society of poetry

A member of 93 society, preside over Tuoyuan calligraphy scholars gathering

 

Le Quan fond of poems, calligraphy and painting from childhood, learning and enjoying it, mutual support and mutual cultivation.

After years of unremitting efforts, he has been achieved  great achievementsat last.

He has been successively invited to hold a personal calligraphy and painting art exhibition at the Chinese Art Museum, the Beijing Today Art Museum, the Shanghai Art Museum and the Henan Art Museum.

 

Publications | works

"Le Quan calligraphy collection"

"The fine collection of contemporary calligraphers - volume Le Quan"

"The fine collection of Chinese famous calligraphers and painters - volume Le Quan"

"The covenant of six artists in the contemporary painting circles"

"White clouds without door -- Le Quan talks about the calligraphy"

 

Famous  comments:

As early as in 1985, Mr. Xie Zhiliu wrote an essay on his calligraphy. "..." Various fonts, graceful and poised, formed his own unique style. In the recent years its difficult for the calligraphers to get."

 

In the same year, Mr. Shamanweng also wrote: "people can write Weibei vivid, only Zhao Zhiqian, Kang Youwei, Yu Youren three people, such as Le Quan is very diligent to write, got in the heart, he can be much the same as three people. If you really know the calligraphy, you know what I was saying. "

 

Mr. Jin Duiting thought: "Nanjing's Le Quan, not only maintained its classic temperament, but also adhered to what I call the"cultural spirit", showing the quality of a calligraphy master.

 


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